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Aaron Burr, Sir


 

Aaron Burr, Sir Lyrics

Aaron Burr, Sir Song Lyrics


[COMPANY]
1776. New York City

[HAMILTON]
Pardon me. Are you Aaron Burr, sir?

[BURR]
That depends. Who’s asking?

[HAMILTON]
Oh, well, sure, sir
I’m Alexander Hamilton, I’m at your service, sir
I have been looking for you

[BURR]
I’m getting nervous

[HAMILTON]
Sir…
I heard your name at Princeton. I was seeking an accelerated course of study when I got sort of out of sorts with a buddy of yours. I may have punched him. It’s a blur, sir. He handles the financials?

[BURR]
You punched the bursar

[HAMILTON]
Yes!
I wanted to do what you did. Graduate in two, then join the revolution. He looked at me like I was stupid, I’m not stupid

So how’d you do it? How’d you graduate so fast?

[BURR]
It was my parents’ dying wish before they passed

[HAMILTON]
You’re an orphan. Of course! I’m an orphan
God, I wish there was a war!
Then we could prove that we’re worth more
Than anyone bargained for…

[BURR]
Can I buy you a drink?

[HAMILTON]
That would be nice

[BURR]
While we’re talking, let me offer you some free advice
Talk less

[HAMILTON]
What?

[BURR]
Smile more

[HAMILTON]
Ha

[BURR]
Don’t let them know what you’re against or what you’re for

[HAMILTON]
You can’t be serious

[BURR]
You wanna get ahead?

[HAMILTON]
Yes

[BURR]
Fools who run their mouths off wind up dead

[LAURENS]
Yo yo yo yo yo!
What time is it?

[LAURENS/LAFAYETTE/MULLIGAN]
Show time!

[BURR]
…like I said…

[LAURENS]
Show time! Show time! Yo!
I’m John Laurens in the place to be!
Two pints o’ Sam Adams, but I’m workin’ on three, uh!
Those redcoats don’t want it with me!
Cuz I will pop chick-a pop these cops till I’m free!

[LAFAYETTE]
Oui oui, mon ami, je m’appelle Lafayette!
The Lancelot of the revolutionary set!
I came from afar just to say “Bonsoir!”
Tell the King “Casse toi!” Who’s the best?
C’est moi!

[MULLIGAN]
Brrrah brraaah! I am Hercules Mulligan
Up in it, lovin’ it, yes I heard ya mother said “Come again?”

[LAFAYETTE & LAURENS]
Ayyyyy

[MULLIGAN]
Lock up ya daughters and horses, of course
It’s hard to have intercourse over four sets of corsets…

[LAFAYETTE]
Wow

[LAURENS]
No more sex, pour me another brew, son!
Let’s raise a couple more…

[LAURENS/LAFAYETTE/MULLIGAN]
To the revolution!

[LAURENS]
Well, if it ain’t the prodigy of Princeton college!

[MULLIGAN]
Aaron Burr!

[LAURENS]
Give us a verse, drop some knowledge!

[BURR]
Good luck with that: you’re takin’ a stand
You spit. I’m ‘a sit. We’ll see where we land

[LAFAYETTE/MULLIGAN]
Boooo!

[LAURENS]
Burr, the revolution’s imminent. What do you stall for?

[HAMILTON]
If you stand for nothing, Burr, what’ll you fall for?

[LAURENS]
Ooh
Who are you? [MULLIGAN]
Ooh

Who are you? [LAFAYETTE]
Ooh


Who are you?

[MULLIGAN/LAFAYETTE/LAURENS]
Ooh, who is this kid? What’s he gonna do?



February, 29th 2024
This excerpt from the musical "Hamilton" introduces us to a pivotal moment where Alexander Hamilton meets Aaron Burr for the first time. This scene is rich in historical context and character development, setting the stage for the contrasting paths these two figures will follow.

Historical Context and Introduction.
Set in 1776, New York City, this scene occurs at a turning point in American history. The dialogue introduces Aaron Burr and Alexander Hamilton, two significant figures in the American Revolution and early U.S. politics. Their conversation hints at their backgrounds, ambitions, and the beginnings of their rivalry.

Character Dynamics and Foreshadowing.
The exchange between Hamilton and Burr reveals their contrasting personalities and philosophies. Hamilton's directness and Burr's caution foreshadow the ideological conflicts that will arise between them. Burr's advice to "Talk less, smile more" contrasts sharply with Hamilton's forthright nature, highlighting their differing approaches to life and politics.

Themes of Ambition and Identity.
Both characters express a deep sense of ambition and a desire to prove themselves, reflecting broader themes of identity and legacy. Hamilton's eagerness to join the revolution and make a name for himself mirrors the aspirations of many young Americans during this era. The mention of both being orphans adds a layer of complexity to their motivations, suggesting a search for belonging and significance.

Motifs of Revolution and Change.
The entrance of Laurens, Lafayette, and Mulligan, each introducing themselves with flair, emphasizes the revolutionary fervor of the time. Their call to "raise a couple more to the revolution" captures the spirit of change and the desire for freedom that characterized the era. This motif of revolution extends beyond the historical setting, touching on themes of personal transformation and the fight for one's beliefs.

Contrasting Approaches to Life and Politics.
The scene highlights the fundamental differences between Hamilton and Burr's political philosophies. Hamilton's challenge to Burr, "If you stand for nothing, Burr, what’ll you fall for?" encapsulates the central conflict between taking a stand versus maintaining a cautious neutrality. This philosophical divide will become a recurring theme, influencing both their personal and political journeys.

Reflection of Historical Accuracy and Artistic License.
While "Hamilton" takes artistic liberties with historical events, this scene captures the essence of the characters' historical counterparts. The creative portrayal allows for a deeper exploration of their motivations, ambitions, and the eventual tragedy of their rivalry.

In summary, this opening scene from "Hamilton" sets the stage for a narrative that intertwines personal ambition with the broader themes of revolution, identity, and legacy. Through the interactions of Hamilton, Burr, and their contemporaries, it reflects on the complexities of history and the enduring impact of these foundational figures on American identity.

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