Poison Lyrics - Wargirl

This commentary seeks to explain how Wargirl's song "Poison" is the epitome of sound emanating from a six-piece band, clearly articulated with pride. This song fuses disco, Afrobeat, rock, and funk. Matter of fact, the band hails from Long Beach, California, and is made up with the assistance of a producer by the name of Matt Wignalls, who would tell you about them through this track, "Mess Around." It is considered a part of their self-titled debut album released on October 26, 2018. That this song is part of an album is indeed an exposition of the band's dedication to ensuring that the message gets to the listener over the span of a smoldering disco-soaked sound that sustains both an infectious groove and sincerity.

The musical belonging of "Poison" is within the general categories of pop/rock and alternative/indie rock, which gives a clear sign that the created piece by the band was something genuinely appealing for quite a wide circle of listeners. In this manner, track participation by the debut album Wargirl displays just how firm they are with this artistic vision and aim at the message of diversity and openness in the appeal carried by their music.

Thematically, "Poison" delves into the complexities of love and the toxic elements that can sometimes pervade it. The lyrics suggest the love is going in the "wrong direction," a metaphorical tie to the consuming of poison—perhaps hinting at a kind of relationship that may injure or be unsustainable. Not sad for the repetition of "You're poison," but a proof statement in many cases of the duality of the attraction and what kind of dangers may consist of.

Starting with "the sound of tension" and ending with "the darkest glimpses of heaven," the images the singer uses in his song are just boiling contradictions and might become most suitable in any song on a love affair. The visual representation by the band's official video of the song just served to add to the artistic approach that the band had taken in showing the group playing in between spacey and trippy effects. Such a creative choice would serve to underline a thematic disorientation of the song's elements by intoxicating, occasionally disorienting effects of love's going astray.